Ian Williams is the author of seven acclaimed books of fiction, poetry, and nonfiction. He won the Scotiabank Giller Prize for his novel Reproduction and the Raymond Souster Award from the League of Canadian Poets for Word Problems. His poetry collection, Personals, was shortlisted for the Griffin Poetry Prize and the Robert Kroetsch Poetry Book Award, while his short story collection Not Anyone’s Anything won the Danuta Gleed Literary Award.
Williams completed his Ph.D. at the University of Toronto and, after several years teaching poetry in the School of Creative Writing at the University of British Columbia, returned there as a tenured full English professor, director of the Creative Writing program, and academic advisor for the Massey College William Southam Journalism Fellowship. A former Canadian Writer-in-Residence for the University of Calgary’s Distinguished Writers Program, Williams has held fellowships or residencies at the American Library in Paris, Vermont Studio Center, Cave Canem, Kimmel Harding Nelson Center for the Arts, and Palazzo Rinaldi in Italy. He delivered the 2024 CBC Massey Lectures, What I Mean to Say, about rehabilitating conversations. He is a trustee for the Griffin Poetry Prize.
Judges’ Citation
Mr. Williams is a musician. His words sing like brooks and streams through a virgin forest, laugh like waterfalls, startle and delight along the way with hidden eddies and boils.
The moment I opened Personals, I was smitten. Mr. Williams is a musician. His words sing like brooks and streams through a virgin forest, laugh like waterfalls, startle and delight along the way with hidden eddies and boils. Mr. Williams is also an artist. His images fly like kites in the wind, with whistling somersaults. He blends personal emotion with historical tension, tradition and modernity, ordinary and magical so seamlessly. When he pulls the strings of contradictions: light and heavy, hilarious and serious, I can’t help but dance like a happy puppet in the masterful hands. I’m so happy to find another shining star above Canada’s poetry horizon!
Selected poems
by Ian Williams
Were we twins earlier
we might have saved the other from learning to speak,
to speak dead, to speak dead romance, to speak dead romance
languages. Utter embouchure. The aftertaste of hurt knots the tongue,
an unripe persimmon. An echo tumbles from the mountain range
of a French horn, hunt long finished, rabbits interrupted
by bullets. Then skinned. Then opened wide. There is no translation
for rescue save breath. How we speak to and only to each other.
By the routine of lung. After years of half-formed, airtight Hebrew
the lonely heart’s grammar relaxes, allows one vowel. U.
Copyright © 2012 by Ian Williams, Personals, Freehand Books/Broadview Press
Idioglossia
You. At the Tire and Lube Express. You said lube
and I – did you notice? – revved. Your name tag
was missing so I read your hair, curled like a string of e’s,
your forearms drizzled with soft hairs like a boy’s
first moustache. Apart from that, you were built
like a walrus. The kind of man that drives a Ford
pickup. Black or silver. You said, ‘There might be a gas leak
and We can’t fix that here, but don’t worry, we’ll get you fixed.
By fixed you meant hooked up, by hooked up you meant
in touch with and meant nothing beyond touch.
Me. Volvo. Smelled like gasoline: I overfilled the tank
before the oil change. I took the package that comes
with a filter replacement. Have you already forgotten me?
I had trouble with the debit machine. Remember? You said,
Turn your card the other way – remember? – and took my hand,
not the card, took my hand with the card in it
and swiped it through. Remember. Please.
The gasoline. The woman almost on fire.
Copyright © 2012 by Ian Williams, Personals, Freehand Books/Broadview Press
Missed Connections: Walmart Automotive Dept – w4m – (Lunenburg MA)
Name. Permanent address. Mailing address (if different).
Will you want me when I ask you to vacuum the stairs
with the hose attachment? Daytime telephone number.
when we are eating cabbage for the third straight night?
Evening. Cell. Email. when you hear my footsteps
descend the basement stairs during the Leafs game?
Date of birth. Sex. Marital status. Will you want me
when birds walk across my face? Employment
in the last two years. and I give up mowing
my legs? From. To. give up dusting my cheeks?
From. To. give up Restylane?
Emergency
contact information. when I sit on the toilet seat
of the ensuite weeping? Name. over a clot of blood?
Relationship. over nothing? Telephone. Would you if I migrate
Type of card. Name on card. Card number. if I start calling
you Mr. Shopkeeper? Date of expiry. if I keep asking you if
you’ll be getting any milk soon for the baby?
(Optional) Choose a security question. Would you want me
if I lose a limb? Mother’s maiden name. if I lose a breast?
Year of father’s birth. Will you want me when
I declare the above statements are true. I lose half of me?
Signature. Date. and half of you?
Copyright © 2012 by Ian Williams, Personals, Freehand Books/Broadview Press
Please Print Clearly in Block Letters
- Massey lecturer Ian Williams on having courageous conversations amid cancel culture Q with Tom Power
- ‘It’s the Anti-Meet-Cute’: An Interview with Ian Williams Hazlitt
- Ian Williams on winning the $100K Scotiabank Giller Prize for his debut novel Reproduction Q with Tom Power
- Nineteen Questions with Ian Williams Interviewed by Jennifer Spruit
- Paul Meunier Interviews Ian Williams The Insurgent Architects' House for Creative Writing