a river is studio agitation n through one window,
aloft in rock bottom’s soft support and
rumble, a room, a cell alight in the way the
walls walk off in juba’d pat and tiling,
the pattern on the river floor all absolute
and indiscernible unless you walk it, in the
river, as the river, as all this rotary soar of
the dammed and held, sous vide in second
linearity, parading in this tuba’d lining
out of the basic line all and against itself
in black and blue switchback and beatrice
smiling seeing all our little differences
together in the venereal collection area’s
serial eddying of how we taste and feel,
inseparably. there’s just so many ways to
keep going along the way. the miraculous
influence is delta’d in floridian branch or
mangrove double silt, coahoma co. moaning
or swung oklahoming—a gap band or a gap in
nature kinda sounding, drowning, burning, this
continually caribbean being on fire of the
river, from river to river on canal and torn
to another bleeding place we from in our
lenape shift, our delaware gap band, sending
geography through a sycoractic horn chart
of the natural city in and out of its broken
window, cadence still cruising mobile studio.
unnamed, and making waves, and making ways
is what it sounds like: lining, tiling, moaning,
smiling, drowning, bleeding, burning, seeing,
sending, sounding just like joseph daley,
thurman barker, dave holland, and sam rivers.
Copyright © 2023 by Fred Moten, perennial fashion presence falling, Wave Books