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In Forge, Jan Zwicky performs a balancing act of great poise and beauty. An extended set of variations on the theme of listening, the collection pays repeated attention to music – and through it, to the natural world and human relationships. Love and death are topics almost too risky to address directly, especially with this kind of breathless, caught-up writing: the stakes could not be higher. Zwicky addresses them fearlessly, making them meaningful and felt, and borrowing the languages of mystery, even religion, to do so. The payoff is real and extraordinary. Gracefully sustained, her unashamedly lyric verse always feels earned by, and earthed in, lived experience: whether of grief or companionship, those great conditions, or, repeatedly, of a watery world. This is a book gauzy with images of condensation, meltwater, flood and mist. It also manages the rare trick of taking on music’s abstract forms. For all her precision, this poet brings us close to the music of abstraction that lies near the heart of true verse.

Citation for Jan Zwicky's Forge


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