As we pause with sadness at the news this week of CD Wright’s passing, we also reflect with much gratitude on all the fine, unflinching, challenging and compassionate work she has left us.
The images in CD Wright’s “Ponds, In Love” are bright …
“A face drenches itself in carlight”
and clear …
“One…
As we pause with sadness at the news this week of CD Wright’s passing, we also reflect with much gratitude on all the fine, unflinching, challenging and compassionate work she has left us.
The images in CD Wright’s “Ponds, In Love” are bright …
“A face drenches itself in carlight”
and clear …
“One was biting a green apple”
and evocative …
“An oar stirred the dark then quit”
How does such clarity and simplicity seem to collectively delineate a complicated, puzzling relationship? If someone or something is “in love” here, as the title suggests, why is there no evidence of sympathy or connection?
Everyone and everything in the poem is generic, devoid of gender or identifying features (apart from “a man’s watch”). The people or living agents are signified as “one” or “the other” and we only see disembodied parts of them – face, wrist, hair. Inanimate objects and conditions seem to operate and exist autonomously: who or what is singing and throwing the apple out the window are not identified, the oar seems to stir the dark without assistance, who has left a building unfinished is not known, whatever state the hair will be in, it will seemingly fall or be cropped on its own.
“One was always going when the other was coming back”
If “one” and “the other” are “in love”, they seem very distant, cool and alienated. Or are they estranged or reserved, trying to somehow reach each other across some divide that, say, would make it difficult for two separate bodies of water to reach each other and merge into one (not “one” and “the other”)? That reaching is also apparently not a good idea because “gnats will go for the eyes” or “utter disappointment” is likely.
Has Wright taken discrete images with the potential for intimacy and simply thwarted their connection and embodiment into complete people? That “one sustains incomprehensible feelings” rather than simply feeling something is probably the answer.
