
Since receiving the Yale Younger Poets Award in 1951 (from judge W.H. Auden), at the age of 21, Adrienne Rich has not stopped writing in her distinct voice, with strength and conviction. Rich has said that her poetry seeks to create a dialectical relationship between “the personal, or lyric voice, and the so-called political – really, the voice of the individual speaking not just to herself, or to a beloved friend, but to and from a collective, a social realm.” Her poetry and prose are taught in literature, creative writing, and gender and gay studies courses across the country and abroad. Her National Book Critics’ Circle Award citation explains: “Rich has captured with subversive wit, compassion, precision, supple poetics, toughness and yes, opposition and resistance, what life has been like in the opening years of a new century. How we’ve been under siege in insidious ways at home while waging war abroad. Rich writes of disruption, dislocation, disconnection. But she is also ravishingly lyrical, inventive, philosophical, sensual. She makes things whole again.”
Adrienne Rich is the recipient of the 1999 Lannan Foundation Lifetime Achievement Award. She has also been distinguished by an Academy of American Poets Fellowship, the Ruth Lilly Poetry Prize, the Common Wealth Award in Literature, the National Book Award, the 1996 Tanning Award for Mastery in the Art of Poetry, and the MacArthur Fellowship. In 2003, Adrienne Rich was awarded the Bollingen Prize for Poetry. She is the author of more than sixteen volumes of poetry, including Diving into the Wreck, The Dream of a Common Language, The Fact of a Doorframe: Selected Poems 1950-2001, An Atlas of the Difficult World: Poems 1988-1991, Collected Early Poems: 1950-1970, Dark Fields of the Republic: Poems 1991-1995, Midnight Salvage, Fox, and The School Among The Ruins, as well as the prose book Of Woman Born. She has also authored five books of non-fiction prose, including Of Woman Born: Motherhood as Experience and Institution and What is Found There: Notebooks on Poetry and Politics (2003). She is the author of the book of essays entitled Arts of the Possible: Essays & Conversations. She edited Muriel Rukeyser’s Selected Poems for the Library of America (2004) and has published essays on the letters of Robert Duncan and Denise Levertov, on June Jordan and James Baldwin, and a preface to Manifesto: Three Classic Essays On How to Change the World (Ocean Press, Australia, 2005). Her collection The School Among the Ruins, was honoured with the National Book Critics Circle Award and was chosen as one of Library Journal’s Best Poetry picks of 2004. It was also selected to receive the 2006 San Francisco Poetry Center Book Award (judge, Mark McMorris). In 2006, Adrienne Rich was awarded the Medal for Distinguished Contribution to American Letters by the National Book Foundation. The judges articulated this distinction as follows: “Adrienne Rich – in recognition of her incomparable influence and achievement as a poet and nonfiction writer. For more than fifty years, her eloquent and visionary writings have shaped the world of poetry as well as feminist and political thought.” Her essay on “Poetry and Commitment” was published by Norton in spring 2007, in a small book with Mark Doty’s introduction at the National Book Foundation event. Adrienne Rich’s newest book of poems is Telephone Ringing in the Labyrinth (October 2007). Her new collection of essays, A Human Eye: Essays on Art in Society, was published in May 2009 with Norton.
We note with great sadness that Adrienne Rich died on March 28, 2012. Many moving tributes to her and her work and influence have been swiftly published – below you will find a selection.
Selected poems
by Adrienne Rich
“I needed a genre for the times I go phantom. I needed a genre to rampage Liberty, haunt the foul freedom of silence. I needed a genre to pry loose Liberty from an impacted marriage with the soil. I needed a genre to gloss my ancestress’ complicity . . .”
—Lisa Robertson, XEclogue (1993)
I need a gloss for the silence implicit in my legacy
for phantom Liberty standing bridal at my harbor
I need a gauze to slow the hemorrhaging of my history
I need an ancestor complicit in my undercover prying
I need soil that whirls and spirals upward somewhere else
I need dustbowl, sand dune, dustdevils for roots
I need the border-crossing eye of a tornado
I need an ancestor fleeing into Canada
to rampage freedom there or keep on fleeing
to keep on fleeing or invent a genre
to distemper ideology
Copyright © 2016 by Adrienne Rich, Collected Poems: 1950-2012, W. W. Norton & Company