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Aisha Sasha John is a poet, dancer and choreographer. Her solo performance ‘The Aisha of Oz’ premiered at the Whitney Museum in New York in 2017. Another iteration of the show will take place at the MAI in Montreal in 2018. Her previous poetry collection, Thou (2014), was a finalist for both the Trillium Book Award for Poetry and the ReLit Poetry Award. In addition to her solo work, she has choreographed, performed, and curated as a member of the performance collective WIVES. Aisha’s video work and text art have been exhibited in galleries and public installations. Born in Montreal, Aisha has an MFA in Creative Writing from the University of Guelph, and a B.A. in African Studies and Semiotics from the University of Toronto.

I have to live. 2018 Shortlist

Judges’ Citation

Aisha Sasha John’s I have to live shows what poetry can become when stripped of prettiness and polite convention — when in survival mode.

Aisha Sasha John’s I have to live shows what poetry can become when stripped of prettiness and polite convention — when in survival mode. Spontaneous, its subjects unposed, its language unrehearsed, each poem has the effect of being taken with a polaroid camera. John writes poems that are resistant to overwrought aesthetics, poems that have popular appeal yet are uninhibited by audience, poems whose casual demeanour belie their fight against casualty. They wind their way into us like a chorus. They gain force by accumulation: “I do. / I did it. / I did. / I had to. / I have to. / I have to live.” As a result, one does not engage with I have to live by familiar means of dissection and analysis. One need only listen, as to an aching friend. No need to fix anything. Just listen.