Don Paterson was born in Dundee, Scotland in 1963. He is the author of sixteen books of poetry, aphorism, criticism, and poetic theory. His previous poetry collections include Nil Nil, God’s Gift to Women, Landing Light, and Rain. He has also published translations of Antonio Machado and Rainer Maria Rilke. His poetry has won many awards, including the Whitbread Poetry Prize, the Geoffrey Faber Memorial Prize, the Costa Poetry Award, and all three Forward Prizes; he is currently the only poet to have won the T.S. Eliot Prize twice. He received the OBE in 2008 and the Queen’s Gold Medal for Poetry in 2010. He is a Fellow of the Royal Society of Literature, the English Association, and the Royal Society of Edinburgh. He is Professor Emeritus at the University of St Andrews and for twenty-five years was Poetry Editor at Picador Macmillan. Paterson also has pursued a dual career as a jazz guitarist. He lives in Edinburgh.
Judges’ Citation
About half the poems in Don Paterson’s latest book are strict sonnets and half are wild or disobedient sonnets (four beats to a line, one word to a line, one word to a whole poem or sometimes just plain prose) but these variants of one form work together to make a fascinating and sustained piece of music, like a fugue.
About half the poems in Don Paterson’s latest book are strict sonnets and half are wild or disobedient sonnets (four beats to a line, one word to a line, one word to a whole poem or sometimes just plain prose) but these variants of one form work together to make a fascinating and sustained piece of music, like a fugue. The poems use their patterns to think through questions about consciousness. They are smart and exact but at the same time surprisingly emotional. Since 1993 Paterson has been eroding his style from the light loose poems of Nil Nil towards the spare almost mathematical brilliance of this book. He can write now with resonant clarity about anything: his dog, his children, the air, Dundee Council, Tony Blair, the soul. The melody of the sonnet form gives all these subjects an unstrained seriousness. 40 Sonnets is a wonderful offering, patiently made.
Selected poems
by Don Paterson
i
At the heart there is a hollow sun
by which we are constructed and undone
ii
Behind the mirror. Favourite place to hide.
I didn’t breathe. They looked so long I died.
iii
What’s shown when we unveil, disclose, undress,
is first the promise, then its emptiness
iv
Ghost-face. Not because I turned my head,
but because what looked at me was dead.
v
— We don’t exist — We only dream we’re here —
This means we never die — We disappear —
vi
We’d met ‘in previous lives’, he was convinced.
Yeah, I thought. And haven’t spoken since.
vii
All rooms will hide you, if you stand just so.
All ghosts know this. That’s really all they know.
Copyright © 2015 by Don Paterson, 40 Sonnets, Faber & Faber
Francesca Woodman
She might have had months left of her dog-years,
but to be who? She’d grown light as a nest
and spent the whole day under her long ears
listening to the bad radio in her breast.
On the steel bench, knowing what was taking shape
she tried and tried to stand, as if to sign
that she was still of use, and should escape
our selection. So I turned her face to mine,
and seeing only love there – which, for all
the wolf in her, she knew as well as we did –
she lay back down and let the needle enter.
And love was surely what her eyes conceded
as her stare grew hard, and one bright aerial
quit making its report back to the centre.
Copyright © 2015 by Don Paterson, 40 Sonnets, Faber & Faber
Mercies
O tell us more about your dad,
or why your second wife went mad,
or how it was you had no choice
but to give those men a voice;
sing that Cornish lullaby
you hush your kids with when they cry,
produce a boiled egg from your pocket,
a flageolet from your jacket,
expand on your idea that rhyme
is dead, or tell us of the time
you dropped your cellphone in the toilet;
a joke, a bird-call – please don’t spoil it,
go on with your brilliant proem!
Anything but read your poem.
Copyright © 2015 by Don Paterson, 40 Sonnets, Faber & Faber
Requests
Once upon a time there was a book.
The book lay open to a page. The page
had a margin, and they shared a dirty look –
though the truth is they were practically engaged.
The page said roughly what it thought it should,
the margin said exactly what it wanted,
and all was grand. But one thing spoiled the mood
of the wee verge. ‘I’m so squished and tiny-fonted!
Why the hell should that guy hog the floor?
I’ll shove that silly bigmouth out the door!’
And soon the page was lying in the gutter.
Now it could weep and wail, and spit and splutter!
‘Time,’ the margin cried, ‘to make my mark!’
And suddenly it went completely dark.
Copyright © 2015 by Don Paterson, 40 Sonnets, Faber & Faber
The Fable of the Open Book
- Poet’s Website
- ‘Poetry often involves obsessive personalities’: Interview The Guardian
- Interview with Don Paterson The Harlequin