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Born in the Mekong Delta and raised in the Washington, D.C. area, Hoa Nguyen studied Poetics at New College of California in San Francisco. With the poet Dale Smith, Nguyen founded Skanky Possum, a poetry journal and book imprint in Austin, TX, their home for 14 years. She is the author of several poetry collections, including Red Juice: Poems 1998-2008 and As Long As Trees Last. She lives in Toronto, Ontario where she teaches poetics privately and at Ryerson University, Bard College, and Miami University.

Hoa Nguyen is a judge for the 2020 Griffin Poetry Prize.

Violet Energy Ingots

Wave Books
2017 Shortlist
United States

Judges’ Citation

Hoa Nguyen’s poems tread delicately but firmly between the linear demands of narrative and syntax on the one hand and between registers of speech and forms of address on the other.

Hoa Nguyen’s poems tread delicately but firmly between the linear demands of narrative and syntax on the one hand and between registers of speech and forms of address on the other. There are spaces for breath, and asides hovering in parentheses. There are also the slippages in language, in the slide from, say ‘staring’ through ‘starving’ and ‘starring’ to ‘scarring’. Everything is at once tangential yet surprisingly direct. This is where the pleasure and depth reside: in the off balancing of the language and its pure, uncalculated tone. What are the poems about? Many things, often simple and direct, like food, or sex, or rivers, or sickness. The poems are packed with fine precisions and particulars. But there is politics too, sometimes startlingly straight as in the poem about Andrew Jackson or sharp-edged as in ‘Screaming’. Violet Energy Ingots is a fully mature work in that it is confident of both its voice and its readers’ alertness. It makes its own space. It demands it and holds it.