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John Glenday was born in Broughty Ferry, Scotland in 1952. He is the author of four poetry collections. The Apple Ghost (1989) won a Scottish Arts Council Book Award; Undark (1995) was a Poetry Book Society Recommendation; and Grain (2010) was shortlisted for both the Ted Hughes Award and the Griffin Poetry Prize. The Golden Mean (2015), was shortlisted for the Saltire Scottish Poetry Book of the Year and won the 2016 Roehampton Poetry Prize. His Selected Poems appeared with Picador in 2020. Other publications include Mira (with Maria Isakova Bennett) and The Firth (Mariscat Press, 2020).

Glenday has led creative writing workshops and residentials for Moniack Mhor Writers’ Centre, the Arvon Foundation, the Poetry School, and the Banff Centre. He has also worked extensively as a poetry mentor, and currently runs a walking and writing workshop for a mental health charity in Dundee.

Judges’ Citation

Grain is the work of an unhurried craftsman; John Glenday has made poems of understated integrity and humanity.

In John Glenday’s work we hear a calm, confiding voice. This is a mature work, Glenday writes slowly and out of necessity, and in Grain, his third collection, he has achieved a work of wry spiritual authority which never preaches or instructs. Alert to Scottish landscapes and turns of phrase, these poems never send readers away bewildered or confused. We are drawn in to shared confidences. His highly crafted lyrics are like wrought iron, strong but delicate, with a care for assonance and cadence. He listens carefully to the language he works in. They’re also playful: a tin can, a peculiar fish, invented translations, made-up saints all can suggest poems. It’s refreshing to discover a poet whose work is earthly, full of rivers and hills and islands, but where old ideas like ‘love’ and ‘soul’ have not been banished. Grain is the work of an unhurried craftsman; John Glenday has made poems of understated integrity and humanity. Sun through the sea/sea in the heart/heart in its noust/nothing is lost.


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