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Jordan Abel is a Nisga’a writer currently completing his PhD at Simon Fraser University, where he focuses on digital humanities and indigenous poetics. Abel’s conceptual writing engages with the representation of indigenous peoples in anthropology and popular culture. His chapbooks have been published by JackPine Press, and above/ground press, and his work has appeared in numerous magazines and journals across Canada. He is an editor for Poetry is Dead magazine and a former editor for PRISM international and Geist. Abel’s first book, The Place of Scraps was a finalist for the Gerald Lampert Memorial Award and won the Dorothy Livesay Poetry Prize. Abel’s second book, Un/inhabited was published in 2014. CBC Books named Abel one of 12 Young Writers to Watch (2015).

Injun

Talonbooks
2017 Winner
Canada

Judges’ Citation

Jordan Abel’s collection Injun evacuates the subtexts of possession, territory, and erasure.

Jordan Abel’s collection Injun evacuates the subtexts of possession, territory, and erasure. Lyric, yes: ‘that   part   of sparkling / kn   ife love that // hates   the trouble of rope / and the   letters / of tow   ns.’ Testimony of another kind, too: ‘all misdeeds at the milk   house / all heap   shoots by the sagebrush // all the grub   is somewhere / down in the hungry bellies […]’. The fog of tedious over-dramatization clears and the open skies of discourse can be discerned. What does it mean to arrange hate to look like verse? What becomes of the ugly and meaningless? Words are restored to their constituent elements as countermovements in Abel’s hands, just as they are divested of their capacity for productive violence. The golden unity of language and its silvered overcoding erode, bringing to bear the ‘heard snatches of comment / going up from the river bank.’ To pixelize is to mobilize, not to disappear.