Raymond Antrobus was born in Hackney, London, England to an English mother and a Jamaican father. He is the recipient of fellowships from Cave Canem, Complete Works III, and Jerwood Compton Poetry. He is one of the world’s first recipients of an MA in Spoken Word Education from Goldsmiths, University of London. Antrobus is a founding member of Chill Pill and the Keats House Poets Forum. He has had multiple residencies in deaf and hearing schools around London, as well as Pupil Referral Units. In 2018 he was awarded the Geoffrey Dearmer Award by the Poetry Society. He lives in London, England.
Judges’ Citation
‘The truth is I’m not /a fist fighter,’ writes Raymond Antrobus, ‘I’m all heart, no technique.
‘The truth is I’m not /a fist fighter,’ writes Raymond Antrobus, ‘I’m all heart, no technique.’ Readers who fall for this streetwise feint may miss out on the subtle technique – from the pantoum and sestina to dramatic monologue and erasure – of The Perseverance. But this literary debut is all heart, too. Heart plus technique. All delivered in a voice that resists over-simple categorization. As a poet of d/Deaf experience, his verse gestures toward a world beyond sound. As a Jamaican/British poet, he deconstructs the racialized empire of signs from within. Perhaps that slash between verses and signs is where the truth is.
Selected poems
by Raymond Antrobus
after Danez Smith
I have left Earth in search of sounder orbits,
a solar system where the space between
a star and a planet isn’t empty. I have left
a white beard of noise in my place and many
of you won’t know the difference. We are
indeed the same volume, all of us eventually fade.
I have left Earth in search of an audible God.
I do not trust the sound of yours.
You wouldn’t recognise my grandmother’s Hallelujah
if she had to sign it, you would have made her sit
on her hands and put a ruler in her mouth
as if measuring her distance from holy.
Take your God back, though his songs
are beautiful, they are not loud enough.
I want the fate of Lazarus for every deaf school
you’ve closed, every deaf child whose confidence
has gone to a silent grave, every BSL user
who has seen the annihilation of their language,
I want these ghosts to haunt your tongue-tied hands.
I have left Earth, I am equal parts sick of your
oh, I’m hard of hearing too, just because
you’ve been on an airplane or suffered head colds.
Your voice has always been the loudest sound in the room.
I call you out for refusing to acknowledge
sign language in classrooms, for assessing
deaf students on what they can’t say
instead of what they can, we did not ask to be a part
of the hearing world, I can’t hear my joints crack
but I can feel them. I am sick of sounding out your rules –
you tell me I breathe too loud and it’s rude to make noise
when I eat, sent me to speech therapists, said I was speaking
a language of holes, I was pronouncing what I heard
but your judgment made my syllables disappear,
your magic master trick hearing world – drowning out the quiet,
bursting all speech bubbles in my graphic childhood,
you are glad to benefit from audio supremacy,
I tried, hearing people, I tried to love you, but you laughed
at my deaf grammar, I used commas not full stops
because everything I said kept running away,
I mulled over long paragraphs because I didn’t know
what a natural break sounded like, you erased
what could have always been poetry
You erased what could have always been poetry.
You taught me I was inferior to standard English expression –
I was a broken speaker, you were never a broken interpreter –
taught me my speech was dry for someone who should sound
like they’re underwater. It took years to talk with a straight spine
and mute red marks on the coursework you assigned.
Deaf voices go missing like sound in space
and I have left earth to find them.
Copyright © 2018
Dear Hearing World
Dad reads aloud. I follow his finger across the page.
sometimes his finger moves past words, tracing white space.
He makes the Moon say something new every night
to his deaf son who slurs his speech.
Sometimes his finger moves past words, tracing white space.
Tonight he gives the Moon my name, but I can’t say it,
his deaf son who slurs his speech.
Dad taps the page, says, try again.
Tonight he gives the Moon my name, but I can’t say it.
I say Rain-an Akabok. He laughs.
Dad taps the page, says, try again,
but I like making him laugh. I say my mistake again.
I say Rain-an Akabok. He laughs,
says, Raymond you’re something else.
I like making him laugh. I say my mistake again.
Rain-an Akabok. What else will help us?
He says, Raymond you’re something else.
I’d like to be the Moon, the bear, even the rain.
Rain-an Akabok, what else will help us
hear each other, really hear each other?
I’d like to be the Moon, the bear, even the rain.
Dad makes the Moon say something new every night
and we hear each other, really hear each other.
As Dad reads aloud, I follow his finger across the page.
Copyright © Raymond Antrobus 2018
Happy Birthday Moon
My father had four children
and three sugars in his coffee
and every birthday he bought me
a dictionary which got thicker
and thicker and because his word
is not dead I carry it like sugar
on silver spoons
up the Mobay hills in Jamaica
past the flaked white walls
of plantation houses
past the canefields and coconut trees
past the new crystal sugar factories.
I ask dictionary why we came here –
It said nourish so I sat with my aunt
on her balcony at the top
of Barnet Heights
and ate saltfish
and sweet potato
and watched women
leading their children
home from school.
As I ate I asked dictionary
what is difficult about love?
It opened on the word grasp
and I looked at the hand
holding this ivory knife
and thought about how hard it was
to accept my father
for who he was
and where he came from
how easy it is now to spill
sugar on the table before
it is poured into my cup.
Copyright © Raymond Antrobus 2018