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Russell Thornton’s collection The Hundred Lives (2014) was shortlisted for the Griffin Poetry Prize. His Birds, Metals, Stones & Rain (2013) was shortlisted for the Governor General’s Literary Award for Poetry, the Raymond Souster Award and the Dorothy Livesay Poetry Prize. His other titles include The Fifth Window (2000), A Tunisian Notebook (2002), House Built of Rain (2003; shortlisted for the Dorothy Livesay Poetry Prize and the ReLit Award for poetry), The Human Shore (2006), The Broken Face (2018), Answer to Blue (2021), and The White Light of Tomorrow (2023). Thornton won the League of Canadian Poets National Contest in 2000 and The Fiddlehead magazine’s Ralph Gustafson Prize in 2009. His poetry has appeared in several anthologies and as part of BC’s Poetry in Transit. He lives in North Vancouver.

The Hundred Lives 2015 Shortlist

Judges’ Citation

The poems in The Hundred Lives burn with a rare blend of rhythmic intensity and hard-earned experience that make them at once timeless and contemporary; on page after page, in line after line, we hear the ancient, communal music of language sung through a consciousness of maturity, loss, and restless spiritual hunger.

The poems in The Hundred Lives burn with a rare blend of rhythmic intensity and hard-earned experience that make them at once timeless and contemporary; on page after page, in line after line, we hear the ancient, communal music of language sung through a consciousness of maturity, loss, and restless spiritual hunger. In a very real sense, Thornton’s lyric narratives and dialogues – of travel, of Lazarus and the Song of Songs, of romantic love – dramatically enact Robert Frost’s notion that the greatest of all attempts is ‘to say matter in terms of spirit, or spirit in terms of matter, to make the final unity’. Thornton speaks with utter conviction and credibility to forge a personal vision, a ‘pathway through the apple’, to an always-richer understanding of human experience. Whether the poems take us to Greece, where gypsy women move ‘like living tarot in the street’, or to the memory of a beloved grandmother ‘out in the sailing ship of her wedding dress. Her ashes’, always The Hundred Lives puts us in intimate touch with ‘first fire, first waters’, with the tenderness and pain of vital engagement.


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