Skip to content

Suji Kwock Kim won the 2002 Walt Whitman Award from the Academy of American Poets for her first book of poetry, Notes from the Divided Country, selected by Yusef Komunyakaa. Her poems have appeared in The NationThe New RepublicPoetryYale ReviewHarvard ReviewThreepenny ReviewDoubleTakePloughsharesAsian-American Poetry: The Next Generation and other journals and anthologies. ‘Private Property,’ a multimedia play Kim co-wrote, was produced at the Edinburgh Festival Fringe and was featured on BBC-TV. She is the recipient of fellowships from the National Endowment for the Arts, and the Fine Arts Work Center in Provincetown: The Nation/ ‘Discovery’ Award, and grants from the New York Foundation for the Arts, California Arts Council, Washington State Artist Trust, Korea Foundation and Blakemore Foundation for Asian Studies. In 2006, she was the recipient of a Whiting Writer’s Award.

Kim earned her B.A. at Yale University; a Master of Fine Arts at the Iowa Writers’ Workshop; attended Seoul National University, where she was a Fulbright Scholar; and Stanford University, where she was a Stegner Fellow. She divides her time between San Francisco and New York. She currently teaches at both Drew University and Sarah Lawrence College. Her poems are being set to music by the Mayako Kubo and the Tokyo Philharmonic Chorus, with premieres in Berlin and Tokyo in 2007.

Notes from the Divided Country

LSU Press
2004 Shortlist
United States

Judges’ Citation

Suji Kwock Kim’s title Notes from the Divided Country refers not only to the Koreas North and South and to all the Americas, but also to the countries of the mind.

Suji Kwock Kim’s title Notes from the Divided Country refers not only to the Koreas North and South and to all the Americas, but also to the countries of the mind. Travelling between past and present, Kim’s powerful fictive imagination creates almost unbearably realistic enactments of war-zones once inhabited by her parents, grandparents, and even her great-grandparents. If ‘death is no remedy for having been born’, as she says in ‘The Tree of Knowledge’, then perhaps poetry is: poetry as expiation, history, memory treasure trove. In highly sophisticated verse, with lines long and lean or short and subtle, an exorcism seems to take place through the precision and music of her language. In poems about the couple next door in San Francisco, or the poet on the road to Skye in Scotland, or in the streets of Seoul on the Buddha’s birthday, Suji Kwock Kim celebrates being alive and well in the complexities of the present moment.