On November 20th, join Tāriq Malik for an energizing online workshop where he challenges you to push the boundaries of what language and image can do. After sharing innovative poems from his new collection, Exit Wounds (out now through Caitlin Press!), Tāriq will guide you through genre-bending exercises that connect visual and poetic forms. …
Join us for the next event of Tree Reading Series for 2022-2023 season. Tree is excited to welcome featured readers Elee Kraljii Gardiner and Dilruba Ahmed. Readers Elee Kraljii Gardiner is an author, editor, and creative mentor whose award-winning books of poetry include Trauma Head, which investigates the experience of vertebral artery dissection …
“Poetry,” Laurent Dubreuil writes, “suggests thinking experiments for the unthinkable.” How might we communicate experience in our poems when the meaning of an experience, even to us, seems less than clear? How can we invoke in our poems those encounters whose intensity exceeds language? What is meant by “thinking on …
“Poetry,” Laurent Dubreuil writes, “suggests thinking experiments for the unthinkable.” How might we communicate experience in our poems when the meaning of an experience, even to us, seems less than clear? How can we invoke in our poems those encounters whose intensity exceeds language? What is meant by “thinking on …
“Poetry,” Laurent Dubreuil writes, “suggests thinking experiments for the unthinkable.” How might we communicate experience in our poems when the meaning of an experience, even to us, seems less than clear? How can we invoke in our poems those encounters whose intensity exceeds language? What is meant by “thinking on …
“Poetry,” Laurent Dubreuil writes, “suggests thinking experiments for the unthinkable.” How might we communicate experience in our poems when the meaning of an experience, even to us, seems less than clear? How can we invoke in our poems those encounters whose intensity exceeds language? What is meant by “thinking on …
“Poetry,” Laurent Dubreuil writes, “suggests thinking experiments for the unthinkable.” How might we communicate experience in our poems when the meaning of an experience, even to us, seems less than clear? How can we invoke in our poems those encounters whose intensity exceeds language? What is meant by “thinking on …
“Poetry,” Laurent Dubreuil writes, “suggests thinking experiments for the unthinkable.” How might we communicate experience in our poems when the meaning of an experience, even to us, seems less than clear? How can we invoke in our poems those encounters whose intensity exceeds language? What is meant by “thinking on …