Submissions open: October 15, 2022 to January 2, 2023 Deep Vellum is accepting nominations for the inaugural edition of an exciting new anthology initiative: The Best Literary Translations 2024. We are honored to showcase literary translators’s work to make possible literary encounters from around the world for the English-language reader. …
Who can enter? The contest is open to all students in translation studies programs. What can they submit? An entry is a prose piece of up to 1,000 words or up to three poems. Each piece must be accompanied by a professional cover letter. That letter must include the name …
Apply to be Canadian Writer-in-Residence For 25 years, the Calgary Distinguished Writers Program (CDWP) has fostered promising Canadian writers. Our Canadian Writers-in-Residence have gone on to great success, including alumni such as Eden Robinson, Larissa Lai, Suzette Mayr, Sina Queyras, Deborah Willis, and Governor-General’s Literary Award winners Oana Avasilichioaei and …
Welcome to Parkland Poets! We are a non-profit poetry society with a mission to bring more poetry into our community and to the world. Whether you are interested in Traditional Forms, Cowboy Poetry, Free Verse, Experimental Forms, Spoken Word, or any other kind of poetry, we hope that you will …
Modern Poetry in Translation is publishing an issue of our magazine in April 2023. This issue will focus on poems translated from any Vietnamese language, including Vietnamese sign languages such as Ho Chi Minh City Sign Language, Hanoi Sign Language, and Haiphong Sign Language. Everyone is invited to send their …
“Poetry,” Laurent Dubreuil writes, “suggests thinking experiments for the unthinkable.” How might we communicate experience in our poems when the meaning of an experience, even to us, seems less than clear? How can we invoke in our poems those encounters whose intensity exceeds language? What is meant by “thinking on …
“Poetry,” Laurent Dubreuil writes, “suggests thinking experiments for the unthinkable.” How might we communicate experience in our poems when the meaning of an experience, even to us, seems less than clear? How can we invoke in our poems those encounters whose intensity exceeds language? What is meant by “thinking on …