When a poem tells an intriguing story, or even a story that seems straightforward at first glance, the poet is often employing that storytelling approach to interesting ends. We’ve observed this in several past Poems of the Week. Sometimes those ends are very different than the storytelling means, as seems to be the case with…
When a poem tells an intriguing story, or even a story that seems straightforward at first glance, the poet is often employing that storytelling approach to interesting ends. We’ve observed this in several past Poems of the Week. Sometimes those ends are very different than the storytelling means, as seems to be the case with Charles Simic’s “Prodigy”.
Another poem with vibrant storytelling bents that we’ve examined here include “The Little Sisters of the Sacred Heart” by David Kirby. In it, the warm storytelling is presented with a very formal-looking structure to humorous effect. In “shades of Linda Lee” by Leslie Greentree, the seemingly casual, almost tossed off presentation belies a story that just possibly has an ominous undercurrent.
Charles Simic sounds similarly matter-of-fact as he introduces the poem before reading it as the Poetry Foundation Audio Poem of the Week in March, 2020. He acknowledges that the poem indeed “tells a story” and “I really didn’t have to change very much from the original experience.”
In fact, the poem’s account of a childhood passion for chess told in straightforward fashion also manages to be a tale of survival, with shocking details revealed in almost prosaic fashion. Lines like
“I loved the word endgame.”
mean one thing to the child’s story, and quite another, menacingly, to the different conflicts actually being played out in the story. That the child blithely says
“I’m told but do not believe”
suggests he thought at the time he was being told a very different story than what was really going on. But then he does remember blindfolds and being sheltered repeatedly by his mother, and then those memories connect back to chess where
“the masters play blindfolded,
the great ones on several boards
at the same time.”
Indeed, how many stories are being told here?