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Donald Nicholson-Smith is a translator and freelance editor. Born in Manchester, England, and a long-time resident of New York City, Nicholson-Smith’s many translations include the works of Jean-Patrick Manchette, Thierry Jonquet, Guy Debord, Paco Ignacio Taibo II, Henri Lefebvre, Raoul Vaneigem, Antonin Artaud, Jean Laplanche, and Guillaume Apollinaire. He has also translated many texts dealing with psychology and social criticism. He won the 2015 French-American Foundation Translation Prize for his translation of Manchette’s The Mad and the Bad.

In Praise of Defeat

Archipelago Books
2017 Shortlist
United States

Judges’ Citation

In this bilingual book (Laâbi’s original French and Nicolson-Smith’s English) – a book that is monumental both in size (over 800 pages) and in scope – we meet one of the major poets of our time, one who has lived through great and catastrophic events and responded to them with a passionate intelligent humanity.

In this bilingual book (Laâbi’s original French and Nicolson-Smith’s English) – a book that is monumental both in size (over 800 pages) and in scope – we meet one of the major poets of our time, one who has lived through great and catastrophic events and responded to them with a passionate intelligent humanity. Laâbi can move from the simplest short poems about the delights of the body to complex meditations on war, violence and prison. That he does so in such an open, generous voice (so well communicated by the dedicated translator, since this must have been an epic labour of love for him) is one of the admirable aspects of Laâbi’s mind and art. The rhetorical pitch is perfectly judged. There is nothing glib about the eloquence, nor is there anything uncontrolled or self-indulgent about the fury when it rises. The poems are public in the best sense in that they address the reader as an equal, not as from a tower but in the street. The interest in Laâbi’s work is intense and growing and other fine books of translations from his work have become available. But this is a landmark.